Category: Arizona State University

In the studio/on the air

In the studio/on the air

by Douglas Yeo

In a previous post here on The Last Trombone, I mentioned an interview I gave for Central Sound at Arizona PBS that was broadcast on Phoenix’s classical PBS radio station, KBAQ (the station goes by the sound of its call letters, KBACH). One thing led to another and I now find myself very happily working for Central Sound at Arizona PBS, as an on-air host for their weekly radio program on KBAQ, Arizona Encore!

I confess I never thought of myself as having a “radio voice” but a few weeks ago, I was asked to come to the Central Sound studio in downtown Phoenix for an audition. Nothing ventured, nothing gained, and I was very pleased when, after recording a couple of test scripts, I was asked to join the team of hosts for the show. This “retirement thing” is turning out to be very interesting for me to say the least!

For those interested, Arizona Encore! is a weekly radio program that features live performances of classical music recorded around the state of Arizona. Concerts are professionally recorded by the Central Sound at Arizona PBS staff and packaged as programs that are broadcast weekly at 7:00 pm on Tuesday evenings on KBAQ. I have recorded four programs so far and they will air on September 27, and October 4, 11 and 18.

There are several ways you can listen to Arizona Encore!:

  • Listen live on KBAQ (KBACH), 89.5 FM every Tuesday evening at 7:00 pm Arizona time. Do keep in mind that Arizona – very sensibly, I might add – does NOT recognize daylight savings time so at this time of year, we are in the same time zone as Pacific Time while in the winter, we are in Mountain Time. You can always find out the current time of day in Arizona by clicking here.
  • Listen live on www.kbaq.org every Tuesday evening at 7:00 pm Arizona time.
  • Listen to programs on demand any time on the Arizona Encore! page on the Arizona PBS website by clicking here.
  • Download the KBAQ (KBACH) mobile app and listen to the show live every Tuesday evening at 7:00 pm Arizona time. The app is free and is available from the iTunes Store and Google Play:

Download the KBAQ (KBACH) mobile app from the iTunes Store

Download the KBAQ (KBACH) mobile app from Google Play

  • Download the Classical Arizona PBS mobile app and listen to the show on demand any time. New shows are uploaded each week and can be streamed at no cost at any time of day. The app is also free and is available from the iTunes Store and Google Play. The app also has additional useful features including streaming of concerts (including some Phoenix Symphony concerts and concerts by students and faculty at Arizona State University), videos, concert listings, links to websites to purchase concert tickets, and more.

Download the Classical Arizona PBS mobile app from the iTunes Store

Download the Classical Arizona PBS mobile app from Google Play

  • Listen to Arizona PBS programming live on Digital Television (DTV) channel 8.4; for more information, click here.

While I’m at it, I’d like to give a word of thanks to Arizona Encore! Executive Producer Alex Kosiorek who brought me on to the Central Sound at Arizona PBS team, and Producer Jeanne Barron who is the master of controls in the studio when I’m recording programs. We may live in the Internet age but radio is alive and well. I’m very happy to be a part of a group of people who are working hard to promote classical music here in Arizona – and around the world.

On the air

On the air

Over the years, I’ve given many interviews for radio programs. I’m still a big believer in radio; the format allows for imagination and a relaxed pace of conversation. Frankly, I’d rather listen to audio than watch television most of the time.

On occasion, interviews have had to do with particular events, such as my retirement from the Boston Symphony Orchestra in 2012; you can hear that interview, where I reflected on my long career in the Orchestra as well as my many collaborations with composer/conductor John Williams here:

Interview of Douglas Yeo by Brian Bell, WGBH Radio, Boston – 2012

Another interview from 2012 found me talking with Peter Stover of Classics Radio in Fredericksburg and Lynchburg, Virginia, where I talked about my Boston Symphony career and the intersection of my life in music with my Christian faith:

Interview of Douglas Yeo by Peter Stover, Classics Radio – 2012

More recently, I was interview by Central Sound at Arizona PBS for broadcast on Classical Arizona PBS (KBAQ), Arizona’s public radio station. I only just learned that part of the interview was broadcast recently along with my performance of Jan Sandström’s Song Till Lotta (Song for Lotta), accompanied by pianist Aimee Fincher. This was a little divertissement in the middle of a broadcast of a concert by Arizona State University bands that also included a performance of Sandström’s Zephyr. In the interview, I talked about how I came to develop the trombone that I use and why I often say, “Trombone is something I do, it’s not who I am.”

This and a host of fine classical music radio programming is available for free and on demand with the Classical Arizona PBS app for iOS and Android. You can more information and download the app by clicking this link and once you load it, touch Music at the bottom navigation bar and scroll through the options to ASU in Concert – Feb 18, 2016 – Douglas Yeo and ASU Bands. While there, have a look at the other excellent offerings available. Happy listening!

Writing a book – 1

Writing a book – 1

I’ve always loved to read and write. My father was President of the local public library when I was a young boy and books were my best friends. I read everything, but especially history. They say that music and math go together but not for me. My body rejected math and science and nobody was surprised that when I graduated from high school, I received the senior class music and English awards. Over the years I’ve written dozens of articles and book chapters, and I never tire of reading, researching and writing. It’s my nature, my innate curiosity to want to know more about things.

Before I decided to retire and enter this season of life, I sat down and made a list of projects I would like to do while I’m still on this side of the grass. It’s three pages long, single-spaced, and includes my desire – no, my intention – to write five books, three music arrangements, twelve articles, a museum catalog and several book chapters. And that’s just the writing projects on page one. One day at a time, and my work on some of these projects will be the subject of future blog posts. At the moment I am at work on three books simultaneously, having signed contracts to write books for Encore Music Publishers, University of Illinois Press and Oxford University Press. The deadlines for me to submit those manuscripts come over the next several years.

This past January, at our first Trombone Studio Class of the semester at Arizona State University, I took the time to give a master class on the subject of time management. Over the years, I realized that this is a big problem for a lot of people. Over the years I have developed strategies for juggling competing demands and one of them is this: when you have a deadline, don’t look at the due date and think that you have a lot of time to get the job done. Start working on it the day you receive the assignment and make a plan of how you will get it done. Too many people wait until the last minute to do any task and the result is not only a lot of stress in the process, but shoddy work that is far from ones’ best. This simple strategy does require discipline but in my experience it is proven to reap great rewards.

So these days, when my wife and I are not going out to do something together, I have taken my lead from great composers like John Williams and Igor Stravinsky, who are/were disciplined enough to get something done every day. They would compose each morning for several hours, have lunch, take a walk or a nap, then compose in the afternoon for several hours. Every day. Whether they wanted to or not. Sometimes they would look at what they did and throw it away. Sometimes they would write only a few measures in a day. But sometimes their disciplined time bore rich fruit. The process of writing every day for a dedicated amount of time allows/allowed them to be tremendously productive. I have used this strategy in the past and now, with much more time at my disposal, I am employing it every day. And it is a rich time of research and writing.

But no one should be fooled; this is real work! Yesterday, I spent four hours on the hunt for a small piece of information that will amount to no more than a few sentences in one of my books. I was doing some genealogical work, tracing a family tree in hopes of finding the relationship between two people who had the same last name. Two Civil War veterans who were in the same regiment. One was a corporal, one was a bugler. Were they related? If so, how? It seemed like a needle in a haystack, but after a day’s work, I had my answer: they were first cousins. And I had an interesting fact that will enhance my discussion of this family. But it took time.

More on all of this in future posts. For now, at the top of this post is a fragment of a letter, written to me on February 14, 1994 by my teacher, mentor, and friend, Edward Kleinhammer (1919-2013), who played bass trombone in the Chicago Symphony from 1940-1985. He was a remarkable person, player and teacher, and his deeply-held, vibrant Christian faith informed everything he did. I saved the hundreds of letters he wrote to me over the years and they are a wealth of wisdom. [And, yes, one of the books I plan to write is about Edward Kleinhammer.]

His words speak for themselves. This was a man who knew the word discipline, the value and importance of the disciplined life, who understood the need to manage time, to get done what was important, to sacrifice present pleasures for future rewards. He was not allergic to hard work. Take some time to digest his words. “Laziness was not in the dictionary.”