Month: January 2018

Grateful: a review of “The One Hundred”

Grateful: a review of “The One Hundred”

Last year, Encore Music Publishers published my new book, The One Hundred: Essential Works for the Symphonic Bass Trombonist. The book contains my commentary along with music for 100 works in the symphonic (and operatic) literature that bass trombonists need to know both for auditions and concerts. In a sense, The One Hundred represents my collective knowledge of this repertoire that I have played many times over my long career as bass trombonist of the Boston (27 years) and Baltimore (4 years) Symphony Orchestras, as well as my over 40 years as a teacher.

Upon publication, the book was submitted to the International Trombone Association Journal for review and last week, the review was published in its January 2018 issue. I could not have asked for a more respected person to write the review – Ben van Dijk (pictured above), who is President of the International Trombone Association, bass trombonist of the Rotterdam Philharmonic, and Trombone Professor at the Amsterdam Conservatory – nor could I have even hoped for a more enthusiastic assessment of my book. I’m very grateful to Ben for his kind words which I share below with readers of The Last Trombone, and I hope the book continues to be helpful for bass trombonists for many years to come.


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When classical music meets faith

When classical music meets faith

I have previously written about my time working at Duke Divinity School, and Duke Initiatives for Theology and the Arts. Led by Dr. Jeremy Begbie, the weeks I have spent in Durham, North Carolina working with DITA have been exceptionally rewarding. The photos and commentary I have previously shared gives you a glimpse into what we did with an orchestra of musicians all of whom are Christians — including several of my former colleagues from the Boston Symphony Orchestra as well as trombonists Megumi Kanda (Milwaukee Symphony) and Jim Kraft (National Symphony, retired) and how we were able to impact audiences with important, interesting messages of the intersection of music with faith.

Duke Initiatives for Theology and the Arts has just put together a short video that shows more of what this special weekend last fall was about. I invite you to have a look (the video includes a short interview segment with me), and catch some of the excitement of that moment. Plans are already underway for more events. Have a look at this video, below, and lear more about Duke Initiatives for Theology and the Arts (to view this video in YouTube, click HERE).

When classical music meets sports

When classical music meets sports

Last night’s American football AFC Championship game between the Jacksonville Jaguars and the New England Patriots was full of high drama. Full disclosure: I lived in Boston for nearly 30 years and attended more Patriots games than I can count. Before their astounding period of success began in 2001, I went to plenty of games when the team was, frankly, terrible. Today, the Patriots are heading to another Super Bowl. Their eighth since 2002. This is remarkable. My wife and I now live in Arizona, and we hold season tickets to Arizona Cardinals football. We love the Cardinals. But we still love the Patriots. There you have it.

I’ve written about the Patriots before on The Last Trombone, particularly about quarterback Tom Brady and how he was the 199th pick in the 2000 NFL draft. Brady has used that fact – that teams passed him over repeatedly until the Patriots drafted him in the sixth round – to fuel his engine of excellence. The result: he has gone on to be what most football observers consider to be the greatest football player of all time – the G.O.A. T.

We spent yesterday afternoon with some friends who had invited us to their home to watch the AFC and NFC Championship games. When I watch TV, I rarely watch commercials. And I’m not particularly interested in pre-game commentary from talking heads. I like to watch the game. So when, before the game started, there was a segment with an actor I had never seen before, I didn’t pay much attention. Until I realized the piece was filmed in Jordan Hall at New England Conservatory of Music. STOP. Rewind the DVR. I taught at New England Conservatory for 27 years. I played countless concerts and recitals in Jordan Hall. What is this?

“This” was a “teaser” for the game featuring actor John Malkovich. It is long by television standards, three and one-half minutes long. Have a look (if you can’t see the video below, click HERE to see it on YouTube):

The story about how this video came about is terrific. Recorded just a few days before yesterday’s game, students at NEC were featured in this short film. You can read how this all came together in a story in Sports Illustrated by Richard Deitsch. Click HERE to read his story.

I think the video is brilliant. It takes a little time to get going but it’s very, very clever. And bravo to the NEC students who were a part of it. I’m sure it was a thrill for them. Seeing this teaser for the game on TV reminded me of the thrill I had playing the National Anthem at Super Bowl XXXVI in 2002 as a member of the Boston Pops Orchestra, something I wrote about on my website, in my article: The New England Patriots and the Boston Pops: A Super Bowl XXXVI Diary (click here to read it). Because of that experience – and many more like it where I played the National Anthem before sporting events as a member of the Boston Symphony Orchestra – I wanted to bring that opportunity to my students at Arizona State University. On two occasions, we played the Star Spangled Banner at an Arizona Diamondbacks baseball game. To see my students on the big stage and catch their excitement and sense of wonder as it unfolded was one of the most satisfying things I did during my years as ASU’s Professor of Trombone. Have a look at this video (below) of their performance at Chase Field in Phoenix in 2014 (if you can’t see the video below, click HERE to see it on YouTube):

Sports and music. Sometimes they come together in a way that adds something to our joy of living, and when I see students benefitting from this, as the students at New England Conservatory of Music did when they were part of an exciting football game yesterday, I smile and remember the thrills I’ve had doing the same kind of thing. It’s amazing where life can lead when you have a trombone – or any musical instrument – in your hand.


Legacy: a full Windsor knot

Legacy: a full Windsor knot

Last Sunday, before the morning worship service started at our church (Phoenix United Reformed Church), my wife came to me with a necktie in her hand. “Would you please tie this for Lloyd?” Lloyd is a good friend, a retired pastor, and in this season of his life — in his 80s — some tasks have become more difficult for him. “Sure,” I said. I put his tie around my neck, tied it, then slide it over my head to give to Lloyd. It took me about 10 seconds and I didn’t give it a second thought. It was a simple thing to do to help a friend.

But that afternoon, I reflected on the very ordinary act of tying a necktie. Frankly, it’s not something I do much these days. Since moving to Arizona in 2012, I’ve switched from neckties to bolos. While I still have many ties — here’s a photo of just a few that I still have in my closet. . .


. . . bolos now hang on my tie rack:


It’s a southwest thing, and bolos appeal to my artistic sensibility.

Still, when I tied Lloyd’s necktie, I used the only necktie knot I know how to tie: the full Windsor knot. My mind turned to my father. It was he who taught me how to make this knot when I wore a tie. And every time I tie a tie, I am grateful that he taught me how to do this.

In a sense, part of my father’s legacy to me is having passed down this simple thing, the act of tying a necktie in a particular way. He gave me other gifts as well, such as a love for reading. My mind continued down that road, reflecting on the legacy that many other family members who have also gone to their heavenly home gave to me. My mother’s love of music, my grandmother’s love of adventure, my father-in-law’s love of working with his hands. All of these people and many others had lives that intersected with mine in ways large and small. And each of us is the product of the investment that others made in us. They gave me things that are with me every day. Not physical things, but things that required their investing time with me, to show me how to do something, or how to think of something, or how to recall and remember something and then put it into action.

Tying a necktie is not really such a big deal. But last Sunday morning, it reminded me how grateful I am for those who taught me things like this, and it was an encouragement to me as I have endeavored to pass things on to others. It reminded me of this: never underestimate the value of any kind of investment you make in another person. They may very well remember it long after you’ve forgotten it, long after you are gone. You may not have thought so at the time, but you made a difference; you wrote a small piece of your legacy. Like my father did when he taught his son how to tie a full Windsor knot so I could help a friend on a Sunday morning.