Category: Chicago and the Midwest

It’s Super Bowl Sunday!

by Douglas Yeo (February 9, 2025)

It’s that time of year again. The National Football League’s Super Bowl will kick off in a few hours. Millions of people around the world will be watching, whether on television, through a streaming service, or the internet. Even people who are not football fans will be watching. The game is just that big, such a big part of life for so many people. Whether your team is playing (mine isn’t. . .) or not, whether you tune in just to watch the commercials or the halftime show, my guess is most readers of these words will be watching or have watched Super Bowl LIX – Super Bowl 59.

The Super Bowl is one of those unique events—like a World Cup soccer final, or a college football championship final—that is bigger than life. When I was young and living in Valley Stream, New York (just a few miles across the border of Queens, New York City, where I spent the first few years of my life), I remember watching Super Bowl III in January 1969. I was in eighth grade, but I remember the thrill of watching the game (on our family’s black and white television) and seeing our team, the New York Jets win. It was thrilling. I wish I still had my Joe Namath rookie football card. Yup, I had one. But after the Super Bowl III, I took that card and did what all of my friends and I did with all of our football and baseball cards: We got a clothespin and attached them to the back frame of our bicycles to make a fluttering sound. Seriously. I just looked: a Joe Namath rookie football card in near mint/mint condition is selling on eBay right now. For $48,500. I’ll pass. (No pun intended.)

Over the years, I’ve attended three Super Bowls. Each one of them are indelibly imprinted in my memory, historical events in my life that I’ll never forget.

Panoramic photos of Super Bowls XXXVI (New England Patriots vs. St. Louis Rams), XLIX (New England Patriots vs. Seattle Seahawks), and LIV (Kansas City Chiefs vs. San Francisco 49ers).

SUPER BOWL XXXVI – February 3, 20020

I was a member of the Boston Symphony Orchestra from 1985-2012. In December 2001, we began to hear rumors that the Boston Pops Orchestra—which IS the Boston Symphony Orchestra minus most of the principal players in the BSO—would be playing in the pregame show at Super Bowl XXXVI in New Orleans on February 3, 2002. The September 11, 2001 terrorist attacks turned the world upside down, and the next Super Bowl after the attacks was scheduled to be played in New Orleans, with a typical Mardi Gras type theme. 9/11 changed that and the theme of the game was switched to a patriotic theme.

Robert Kraft, owner of the New England Patriots, was on the NFL’s Super Bowl entertainment committee and he suggested that the Boston Pops—”America’s Orchestra”—be involved in the game. That got set many weeks before any of us in Boston knew that the New England Patriots would actually be playing in the game.

I told the story of how that all happened in a long article on my website: The New England Patriots and the Boston Pops: A Super Bowl XXXVI Diary, January/February 2002. You can read that article HERE.

Tom Rolfs, Douglas Yeo, and Ronald Barron at Super Bowl XXXVI

New England Patriots owner Robert Kraft gave each member of the orchestra a ticket for the game. Amazing. I sat between two great friends, BSO trumpet player Tom Rolfs (he is now principal trumpet in the orchestra) and Principal trombonist Ronald Barron.

My view from the end zone at Super Bowl XXXVI.

We were seated in an end zone; little did we know that we would watch the winning field goal come off Patriots’ kicker Adam Vinatieri’s foot and come right to us. Unforgettable.

A framed box of Super Bowl XXXVI highlights.

SUPER BOWL XLIX – February 1, 2015

I retired from the Boston Symphony Orchestra in 2012 and when we moved to Arizona, my wife and I became season ticket holders for Arizona Cardinals (and Arizona State University—where I was trombone professor) football. That said, we still followed the Patriots; after all, one does not give up a nearly 30 year fandom overnight. In 2015, the Patriots were in the Super Bowl again, and Super Bowl XLIX was held at University of Phoenix Stadium in Glendale, Arizona, the home of the Arizona Cardinals. Just a 30 minute drive from our home.

Naturally we wanted to go to the game but ticket prices were out of this world. But then, the most unexpected thing happened. A friend in Boston, whose family had many season ticket seats to Patriots football, called and said that their family had two extra tickets. Would I like them? WOULD I LIKE THEM?!?!? YES! This was a remarkable gift, one I could not wholly accept without paying something. My friend didn’t want money for the tickets, but she said her family had supported an Christian ministry in Haiti for many years and if we wanted to make a donation to that group of selfless workers who served the poor, that would be great. So I sent a donation to the ministry and my wife and I went to the game.

Douglas and Patricia Yeo outside University of Phoenix Stadium before Super Bowl XLIX

Our seats were five rows from the field, right on a goal line. It was WILD to be in the stadium—where we had seen so many Arizona Cardinals football games—and don our old Patriots gear for another game for the first time in several years.

At our seats for Super Bowl XLIX

I had never sat so close to the field for the game and I confess I never thought such a view right next to the end zone would be that interesting. But it was! At one point in the game, Patriots tight end Rob Gronkowski caught a touchdown at the other side of the end zone. A week later, a photo of that touchdown that showed Pat and me across the end zone appeared in Sports Illustrated.

Rob Gronkowski catching a touchdown at Super Bowl XLIX. Douglas and Patricia Yeo are circled in red, across the end zone. I’m wearing a white baseball hat and Pat is next to me, on my left.

This was a wild, back and forth game. And at the end, the Patriots won in a stunning way, when Malcolm Butler intercepted Seahawks quarterback Russell Wilson at the goal line. I wrote about my experience at Super Bowl XLIX and how I apply a very important lesson that was in evidence at the end of that game to my trombone playing and teaching in an article on TheLastTrombone. The article is titled: Stay disciplined: a lesson from Super Bowl XLIX. You can read that article HERE.

Patricia and Douglas Yeo celebrating the end of Super Bowl XLIX.

SUPER BOWL LIV – February 2, 2020

After Super Bowl XLIX in Arizona, the thought of attending another Super Bowl never entered my mind. I had been to two. Another one? I never really thought about it. But I DID go to another Super Bowl. And that is quite a story in itself.

Pat and I moved from Arizona to the Chicago area in 2018 in order to live closer to our grandchildren. One of the first things we did was get Chicago Bears season tickets. New town, new team.

Douglas and Patricia Yeo at Soldier Field, Chicago, September 8, 2024.

In 2019, the Chicago Bears ran a contest. The winner would receive an all-expenses paid trip to Super Bowl LIV in Miami, Florida. The contest was this: Write an essay of 100 words or less on the subject, “Who would you take to the Super Bowl and why?” I wrote an essay about my son-in-law, Chad, who is a hospice chaplain. My essay was exactly 100 words. And I won the contest. Unbelievable.

Douglas Yeo and Chad Leonard on the field at Super Bowl LIV.

Two fans from each of the NFL’s32 teams were given this remarkable experience. Each team decided how to award the two tickets allowed to them. The Bears had a contest. Some teams sent their “fan of the year.” Others had a random drawing. Going to Miami, staying at the Biltmore Hotel, going to the NFL Experience, NFL Honors, and Super Bols LIV was a truly remarkable experience, made all the better because we were with super fans from all teams.

Fans from all 32 NFL teams at the 2020 Super Bowl LIV fan experience. (AP Photo/Steve Luciano)

Once again, I found myself seated in the end zone at a Super Bowl, just like I had been at Super Bowl XXXVI. Chicago Bears Chairman George McCaskey came up to say hello to Chad and me and we watched a memorable game as the Kansas City Chiefs defeated the San Francisco 49ers. We witnessed the beginning of the Kansas City Chief’s NFL dynasty as they won their first Super Bowl since they won Super Bowl IV in 1970.

Douglas Yeo, Chicago Bears Chairman George McCaskey, and Chad Leonard at Super Bowl LIV.

I wrote several posts on TheLastTrombone about this remarkable experience. You can read my article, 100 Words – Super Bowl LIV which tells the story of the contest and has my winning essay HERE. And you can read my long article about the whole experience at Super Bowl LIV, Super Bowl LIV – an exceptional fan experience thanks to the Chicago Bears and the NFL, HERE.

Today, when I’m watching Super Bowl LIV with Pat and our oldest daughter, Linda, her husband, Chad, and our two grandchildren, all of these live-in-person memories of past Super Bowls will be in my mind. The Super Bowl. It’s a special experience every year. Here’s hoping we’ll see a great game later today.

UPDATE: The Philadelphia Eagles defeated the Kansas City Chiefs 40-22 in Super Bowl LIV. Congratulations to the Eagles. And now we’re on to next season. But first, baseball! Go Cubs, Go!

Christmas 2024

by Douglas Yeo (December 24, 2024)

Tomorrow is Christmas, and like millions of people around the world, our family will be celebrating tonight at a Christmas Eve church service. We’ll be at our church, New Covenant Church of Naperville, Illinois. Tomorrow brings together family, food, and the sharing of gifts. For our family and other Christians, the most important thing about Christmas is the celebration of the birth of Jesus Christ who is truly “the reason for the season.” In 2018, I wrote an article on The Last Trombone about Bethlehem, where Jesus was born. Click on this sentence and have a look at that post that tells the Christmas story through photographs of Bethlehem that I took when my wife and I visited there in 2016.

Also at this time of year, music fills the air and family traditions are celebrated yet again. When our family lived in the Boston area during the years I was a member of the Boston Symphony Orchestra, one of our traditions was for all of us to attend a Christmas Pops concert played by the Boston Pops. We held that tradition every year I played in the orchestra (the Boston Pops Orchestra IS the Boston Symphony Orchestra), and we started a new tradition over our last few years in Boston: the annual Christmas Revels. I also conducted the New England Brass Band from 1998-2008, and we performed an annual series of three or four concerts of Christmas music, a tradition that we still remember at this time of year. These musical traditions were fun and inspiring.

Since we moved to Illinois in 2018, I’ve enjoyed a new tradition: playing Christmas concerts with the great brass quintet, Boston Brass, and the Brass All-Stars Big Band they put together for their concerts each December. This year was the third year I was asked to play Boston Brass’ show, Christmas Bells are Swingin’! With family members in attendance, it was a real joy to bring this music—including a lot of the classic Christmas carol arrangements written by Stan Kenton and Ralph Carmichael—to appreciative audiences.

Boston Brass and the Brass All-Stars Big Band, Palos Hills, Illinois, December 19, 2024. Left to right: Domingo Pagliuca (trombone, Boston Brass), Megan Boutin, Douglas Yeo, William Russell (tuba, Boston Brass), Dan Hostetler (drums), Eric Morong (percussion), David Cutler (piano), Rick DeJonge (conductor), Joey Tartell (trumpet), José Sibaja (trumpet, Boston Brass), Rex Richardson (trumpet), Jeff Conner (trumpet, Boston Brass), Rick Castellanos (horn, Boston Brass), Sandra Donatello (horn), Alex Love (horn). Moraine Valley Community College, Palos Hills, Illinois, December 19, 2024.

Program for the concert with Boston Brass and Brass All-Stars Big Band, Christmas Bells are Swingin’! Moraine Valley Community College, Palos Hills, Illinois, December 19, 2024.

Our trombone section was terrific. Domingo Pagliuca and I have been friends for many years—like brothers. Spending time with Domingo is always a joy. And this was the first time I played in a section with Megan Boutin, assistant professor of trombone at East Texas A&M University. She’s a superb player and our section gelled just right. What fun it is to play with such fine players like Domingo and Megan!

Douglas Yeo, Megan Boutin, Domingo Pagliuca, and David Cutler. December 19, 2024.

Every year since 2012, I’ve posted a poem at this time of year, A Visit from Santa Claus to a College Trombone Player. I wrote this for my students at Arizona State University, during the first year I taught there (from 2012-2016). If you’re new to The Last Trombone, you’re a trombone player, or you know a trombone player, I hope this makes you smile. Yes, Santa plays trombone. There’s even a song about that.

Merry Christmas, friends.

A Visit From Santa Claus to a College Trombone Player

T’was the night before Christmas and all through my home,
All the horns were in cases, including trombones.
For after the finals and juries and tests,
It was time for some shut-eye; I needed some rest.

I was dreaming of straight mutes and pBones and more,
When I woke to a sound that I’d not heard before.
And what should I see on my roof up on high?
A Moravian choir, with trombones playing fine.

Alessi and Lindberg, Kleinhammer and Yeo,
Were all playing their horns, their heads covered with snow.
And who should be leading this heavenly band?
But old Santa himself, a trombone in his hand!

“On JJ! On Jörgen! On Tommy, and George!”
This band was so sweet, I sure did thank the Lord!
“On Norman and Pryor, Jen, Melba, and Frank!”
Some others played, too, but my mind drew a blank.

I grabbed my trombone and I lubed up the slide,
With no time for a warm-up, I hurried outside.
The gang was all playing some mighty nice tunes,
And we jammed some cool charts by light of the moon.

I invited them in just to warm up their chops,
But they just kept on playing, man, this sure was tops!
Saint Nick put his horn down to fill up my stocking,
With valve oil, and slide cream, CDs – so inspiring!

In time, things wound down and they packed up their horns,
And the sleigh got revved up and was heavenly borne.
But Santa looked back, and he said with a smile,

“Merry Christmas to all, and don’t forget to keep practicing even though you’re on vacation!”

— Douglas Yeo (with apologies to Clement Clarke Moore)

Fast cars and the value of friendship

by Douglas Yeo (August 2, 2024)

Life is full of surprises, unexpected moments that lead to bigger things. Try something that’s a little outside your box—your comfort zone—and you’ll probably learn something. If you’re open to learning. Our friends, Phil and Laura Spotts, taught us something about this.

My wife, Patricia, and I met Phil and Laura at our church in 2012. We had just moved to Arizona after I retired from my long career as a member of the Boston Symphony Orchestra. Phil struck me right away as a gregarious, “can do” kind of guy. The kind of person who is always volunteering to do something, make things happen. Phil’s an engineer but not one of those stuffy, geeky, academic types. He’s real, has a great sense of humor, and is always thinking about how to help others. Laura is a gifted pianist who played piano from time to time at our church services, another truly wonderful person. When we met them, they had a son, Cody, and in time, they became Superheroes and adopted two more children, Gage and Annaliese. There was something about this family that made Pat and me smile. We spent time together, went over to each other’s houses for dinner (Phil is a terrific cook, and we still use his fantastic leg of lamb recipe several times a year), we shared life. And our friendship grew even as we were very different people in some ways. For instance, they liked—no, they LOVED—something that was a mystery to me: NASCAR. I’m not gonna lie: before I met Phil and Laura, my life had no place for NASCAR. Growing up in and around New York City and living in Boston for nearly three decades, I fell into the east coast snobbery when it comes to things like NASCAR. “Go fast, turn left.” Doesn’t sound very interesting. Also, fast cars are loud and I work hard to protect my hearing. Big hair, beer, southern accents—those are some of the many stereotypes you bring to something like NASCAR when you’re in a cocoon in some parts of the elitist northeast.

Phil and Laura Spotts at Phoenix International Raceway, March 2, 2014

So, when Phil and Laura invited Pat and me to go to a NASCAR race at Phoenix International Raceway (November 2013), my mind quickly buzzed around through all of my NASCAR stereotypes before I said, in a confident voice, “Sure. Let’s go!” And we did. Because this was important to our friends.

Panoramic view of Phoenix International Raceway, March 2, 2014

The experience of going to a NASCAR race is unlike anything I’ve done in my life. I love football, and I enjoy baseball. I know what it is to cheer my team at a game, to engage with other fans around me. But NASCAR was something different all together. First, it was BIG. A lot of people go to races. A. Lot. Some come in campers and motor homes, driving from race to race and living in temporary camps that surround a racetrack, a camp that usually has a popup supermarket, bank, and urgent care center. For race weekend, a NASCAR track becomes a small city.

Phil and Laura had headsets for us that were both excellent hearing protection—I have to say, though, as I looked around from my seat, I was stunned to see so many people who were not wearing any kind of hearing protection, wow—and were connected to Phil’s radio scanner that gave us the race feed. Before the race I kept asking questions. I realized quickly that there was a lot more to NASCAR than the stereotypes I had carried with me for so long. This is a high-tech sport. There is a LOT of money involved. It’s really dangerous for the drivers. Fans are passionate about their drivers and their cars. Sponsorship is really, REALLY important. Pit crews—the crew of technicians who service cars before and during the race—work incredibly hard and fast, like a well-oiled machine. And there is a whole lot of strategy.

Douglas and Patricia Yeo, Phoenix International Raceway, November 10, 2013

There were other things. At the race, I didn’t have any skin in the game; I didn’t know any drivers, so I asked Phil and Laura who there favorite drivers were. OK, they were now my favorite drivers. But when cars are racing around the track at 180 miles an hour at 130dB (that is loud, like a jet engine ready for takeoff on a runway), there’s no point in cheering during the race. Your driver can’t hear you. Other fans can’t hear you. Heck, you can’t even hear yourself. When the cars were roaring around the track, I didn’t dare take off my headset and expose my ears, so if I wanted to say something to Pat, Phil, or Laura, I pulled out my phone and typed a text message and showed it to them.

Phoenix International Raceway, March 2, 2014

Before the race there was the National Anthem, then a flyover and a prayer, and then we were—literally—off to the races. And somehow, what enfolded in front of me captivated me in a way I didn’t expect. As I saw it with my own eyes, as I gave it a chance, as I tried to understand it, I found myself pulled into it. The old stereotypes fell away; I was learning something new. And I liked it. And that experience would not have happened were it not for friends that asked us to do something that they loved and wanted to share with us. I learned a very important lesson on that day. Several, actually. When, a year later (March 2014), Phil and Laura asked us to go to another race at Phoenix International Raceway, we did.

Then Phil took a new job and their family moved to Tennessee. Pat and I moved to the Chicago area so we could live near our grandchildren. While Phil and I weren’t seeing each other regularly any more—something we did a lot when we both lived in the Phoenix area, especially meeting for lunch at our favorite sushi place, Ah-Hai in Goodyear (yes, there really and truly is amazing sushi in the desert!)—we kept in touch, texting and talking on the phone. Then Phil called one day to tell me Cody started playing the trombone—Phil said that Cody picked the trombone because he had heard me play trombone in our church.

Poster of Cody Spotts, trombonist at East Hamilton High School, Tennessee

Then, last October, Phil texted me. Cody was graduating from high school in a few months and Phil wanted to take him to a NASCAR race as a graduation present. Any race, anywhere. And Cody said, “I want to go to the Chicago Street Race with Mr. Yeo.” Phil and Cody were coming to Chicago and they asked me to go to another NASCAR race. Of course I said “yes.” I was excited. July 6 and 7, 2024 couldn’t come soon enough.

Douglas Yeo and, Phil and Cody Spotts, Portillo’s, July 5, 2024

I picked up Phil and Cody at Chicago’s O’Hare airport and because Cody had never been to Chicago, they wanted to immerse themselves in “the full Chicago experience.” We started with lunch at that iconic Chicago hot dog restaurant, Portillo’s. A Vienna Beef hotdog on a sesame seed bun, tomatoes, mustard, relish, dill pickle, raw onions, sport (hot) peppers, celery salt—but NO KETSUP! There’s nothing like it and Portillo’s is the place to get the real deal.

Douglas Yeo and Cody and Phil Spotts, Giordano’s, July 5, 2024

Dinner that night was at Giordano’s where Cody experienced his first Chicago style deep dish pizza. Pat and I don’t eat at Portillo’s and Giordano’s very often—our low fat diet doesn’t have a lot of room for zillion calorie, high fat meals—but, hey, now and then, you gotta live a little.

Course map for NASCAR 2024 Chicago Street Race

The Chicago Street Race is a unique NASCAR event. It’s a race (two races, actually) that—literally—goes through streets of downtown Chicago. Instead of a long oval track, the Chicago race track is a modified figure-8, a course that snakes through the heart of the city, along Lake Shore Drive, Michigan Avenue, and South Columbus Drive. Phil had gotten Turn 1 Reserved tickets for the three of us in the Jack Daniels Turn 1 Club. I didn’t know what that meant but I found out soon enough.

Cody and Phil Spotts at “The Bean” (officially called Cloudgate), Millenium Park, Chicago, July 6, 2024

We took the train from College Avenue Station in Wheaton, Illinois, to downtown Chicago and walked toward Millenium Park near Chicago’s waterfront. There, we walked around as I showed Phil and Cody some of the iconic things in the Park, like “The Bean.” In the photo above, you can see me in my orange Phoenix International Raceway shirt, reflected in this remarkable public art installation, taking this snapshot of Cody and Phil.

Douglas Yeo and Cody and Phil Spotts, Millenium Park, Chicago, July 6, 2024

Once we got through the turnstiles with our wristbands, we made our way to our seats to get a look at our view. It was stunning. As one who knows Chicago pretty well, it was truly remarkable to see the race course laid out on roads and in view of iconic buildings that I had seen in completely different contexts.

The view from our seats for the NASCAR Chicago Street Race Weekend, Jack Daniels Turn 1 Club, July 6, 2024. The start/finish line was down South Columbus Drive by the grandstand in the right of this photo. The Sears Tower (AKA Willis Tower) is the tall building on the left of the photo, with white antennas on top.

I mean, there we were, seated on South Columbus Drive, with the Sears Tower (OK, I know it’s been called the Willis Tower since 2009, but no Chicagoan calls it by that name) and the hotels of Michigan Avenue in view. I have driven down South Columbus Drive many times on the way home from Chicago Bears games at Soldier Field but traffic is always going north. For the race, the cars would be going south. It took some time for me to get my arms around that. It was surreal to see the city transformed into a racetrack.

Phil and Cody Spotts and Douglas Yeo, Jack Daniels Turn 1 Club, July 6, 2024

Phil really outdid himself with tickets in the Turn 1 club; it was a lavish gift. We had terrific reserved seats, a nice, shaded area where we could relax, and UNLIMITED amazing food and drink. During the whole race, the three of us grazed on fantastic food. It was always there for us, all day long. What a special experience it was to sit in such remarkable seats with these amenities. And it happened because of friendship.

MONSTER Energy Drink acrobatic motorcyclists, Chicago, July 6, 2024

Before the race, we walked around to all of the sponsor tents, the NASCAR shop, and the wide open area where concerts were going on all day. The MONSTER Energy Drink acrobatic motorcyclists did their show; it was breathtaking.

Shane Van Gisbergen (97 car) after crossing the finish line at the Loop 110 NASCAR Xfinity Series Race, Chicago, July 6, 2024

And then Saturday’s race, the Loop 110 NASCAR Xfinity Series Race, began. I can’t explain it. It was such a totally different experience than I had at Phoenix International Raceway. Drivers were not going in a loop, always turning left. They were navigating sharp 90-degree turns after long and short straightaways. Speeds were fast, but not as fast as a regular oval track NASCAR race. The cars went flying by; we followed the progress of the race in our headsets. It was absolutely thrilling. The race was won by Shane van Ginsbergen in his 97 car. If you want to get an idea of what we saw, click here to view the whole race on YouTube.

Cody and Phil Spotts at the beginning of historic Route 66 begins, Michigan Avenue, Chicago, July 7, 2024

After the race, we took the train home and after a short night of sleep, we headed back to Chicago for Sunday’s race, the Grant Park 165. When we got downtown, I wanted to show Phil and Cody where historic Route 66 started—at the intersection of Michigan Avenue and East Adams Street, just across from the Art Institute of Chicago. I took this photo (above) while I was STANDING IN THE MIDDLE OF MICHIGAN AVENUE. I had never done THAT before.

Douglas Yeo and Cody and Phil Spotts, Buckingham Fountain, Chicago, July 7, 2024

In the center of Chicago’s Grant Park is the Buckingham Fountain. It was a centerpiece of our race days, its fountains providing soft mist to cool off on hot days.

Douglas Yeo and Cody and Phil Spotts, on the NASCAR Chicago Street Race track, E. Balbo Drive, Chicago, July 7, 2024. Note the temporary bridge over E. Balbo Drive.

Once we got in the Park, we had an opportunity to walk ON THE TRACK. This was another thrill, to get up close to the view the drivers had.

Douglas Yeo in the rain, NASCAR Chicago Street Race, July 7, 2024

While the day—and the race—started off with beautiful sunshine, we knew that rain was in the forecast. And the rain came. It sprinkled. Then it cleared up. Then the skies opened up and it poured. And poured, and poured.

Douglas Yeo and Cody and Phil Spotts during the NASCAR race delay, July 7, 2024

The race continued for awhile in the rain but when it simply got too wet for drivers to race safely, we found ourselves in a rain delay of nearly two hours. We hung out at a picnic table in the Turn 1 Club, under an umbrella. The rain didn’t dampen our spirits. We were still having a great time, grazing on food and drink nonstop, enjoying conversations, talking about the race, the cars, and the drivers. When confronted with a situation you can’t control, you make the best of the situation. As teachers at our grandchildren’s elementary school frequently say, “You got what you get and you don’t throw a fit.” The rain didn’t matter. A lot of fans left but we stayed to watch the race start up, shortened because it was getting dark. Once again, it was a thrill to see the drivers cautiously—at over 100 miles per hour!—navigate the slick race course.

Alex Bowman (48 car) after crossing the finish line at the Grant Park 165 NASCAR Cup Series Race, Chicago, July 7, 2024

The race was won by Alex Bowman in his 48 car, and as he crossed the finish line, the rain stopped, the sun started to come out from behind the clouds even as it was setting, and we finished our days of enjoying racing in downtown Chicago. Click here to view the race on Youtube.

Douglas Yeo and Cody and Phil Spotts, Buckingham Fountain, Chicago, July 7, 2024

As we exited Grant Park, we passed by Buckingham Fountain one more time. Its fountains had been turned off for the night but I don’t think I’ve ever seen it look more beautiful than in the twilight of that Sunday night after the race.

Douglas Yeo and Cody and Phil Spotts atop the Sears Tower (AKA Willis Tower), Chicago, July 8, 2024. The red circle shows where we sat for the NASCAR Street Race.

We headed home again but our time together was not over. Cody wanted to do something he had never done before: go up a seriously tall building. So we took the train back to Chicago on Monday morning and visited the Sears Tower. From the observation deck, we looked down on the race course. In the photo above, you can see where our seats were in the red circle I drew between Cody and Phil. And yes, I’m wearing a Shane Van Gisbergen t-shirt. I’m a fan.

Cody and Phil Spotts on “The Ledge,” Sears Tower (AKA Willis Tower), Chicago, July 8, 2024.

But there was a limit to what I would do. While Cody and Phil happily—and fearlessly—walked out on the Sears Tower’s “The Ledge”—looking straight down 103 floors through glass to the street below—I was happy to be their official photographer, my feet firmly planted on the carpeted floor.

Douglas Yeo and Cody Spotts, July 8, 2024

When we got back to our house after yet another train ride (Pat had prepared a delicious dinner; as good as the food was at the race, it was nice to be home and have Pat’s wonderful home cooking), Cody and I played trombone duets. I’d never heard Cody play trombone before and it was so great spend some time together with trombones in our hands. The thing that solidified Cody’s and my friendship—the trombone—was shared in a memorable, tangible way.

This is friendship. Being together, talking together, sharing together, enjoying experiences together. Saying “Yes” when a friend asks you to do something you can’t imagine yourself doing. And then appreciating how they stretched you. And saying—and showing—”thank you” when someone gives you a gift—and Phil and Cody gave me a remarkable gift. Not just tickets to a race weekend, but a shared brotherhood that started with our shared faith in Christ. The three of us know and truly understand what the Apostle Paul meant when he wrote, “Therefore encourage one another and build one another up, just as you are doing.” (1 Thessalonians 5:11) Though separated by distance, when Cody asked to come to the Chicago Street Race with his dad and enjoy it with me, we picked up our relationship like we were next door neighbors who had never been apart. That is friendship.

Before I went to the NASCAR Chicago Street Race weekend I did not know what to expect. These friends taught me a lot. We shared something that has bound us together in a new way, and I will treasure the memory. Just as I treasure our friendship. Thank you, friends.

Official program and my wristbands for the 2024 NASCAR Chicago Street Race Weekend, July 6-7, 2024

University of Illinois trombones: two happy announcements

by Douglas Yeo (March 5, 2024)

University of Illinois Urbana-Champaign has recently made two important, happy announcements that I’d like to share with readers of The Last Trombone.

I have been serving as trombone professor at University of Illinois Urbana-Champaign for the last two years, since August 2022. At that time, the UIUC School of Music was in need of a trombone professor when its previous full time trombone professor abruptly resigned in May 2022. I was happy to accept the offer to take on this work while the School of Music conducted a search for a new full time trombone professor. Unfortunately, the search that was held during the 2022-2023 academic year was not successful in hiring a new trombone professor so a new search was mounted in fall 2023. In light of this, I agreed to return for a second year. Today, Dr. Linda Moorhouse, Director of the University of Illinois Urbana-Champaign School of Music announced that Dr. Jonathan Whitaker has been named professor of trombone at UIUC effective August 2024.

Dr. Jonathan Whitaker. Photo courtesy of Edwards Instrument Co.

I have known Jonathan Whitaker for many years and I am delighted that events have come together to bring him to University of Illinois. Dr. Whitaker’s work at University of Alabama—where he has been professor of trombone since 2009—is well known. He has a proven track record in building and growing the Alabama trombone studio, and his students have experienced remarkable success over the years. Here is something about Dr. Jonathan Whitaker, from the announcement by Dr. Linda Moorhouse:

Jonathan Whitaker joined the faculty of the University of Alabama in the fall of 2009. At Alabama, Dr. Whitaker’s students have been tremendously successful in national and international solo competitions as well as being placed in some of the nation’s top summer music festivals. The University of Alabama Trombone Choir has given performances at the 2010 Eastern Trombone Workshop, the 2011 International Trombone Festival, the 2013 International Trombone Festival, and the 2018 American Trombone Workshop. Dr. Whitaker has also appeared twice as a performer and clinician at the American Trombone Workshop and two International Trombone Festivals. Dr. Whitaker is in great demand as a guest artist and has appeared at some of the most prestigious music schools in the country including The Juilliard School, New England Conservatory, Yale University, Indiana University, and many more.

As a soloist, Dr. Whitaker can be heard on numerous recordings including the 2018 release of his second solo recording entitled “Paceline” and his debut solo recording entitled “Nature’s Gift” with pianist Kevin Chance. He is a featured soloist on two recordings with the University of Alabama Wind Ensemble that include Anthony Barfield’s Red Sky and David Maslanka’s Concerto for Trombone and Wind Ensemble. These recordings are available at jonathanwhitaker.com.

Dr. Whitaker has been very active in commissioning new works for the trombone. In 2019, he gave the world premiere of Scott McAllister’s Atipa-Tcoba at the 2020 American Bandmasters Association Convention with the University of Alabama Wind Ensemble. Other notable commissions and premieres include Nicola Ferro’s Mega for solo trombone and wind ensemble (2016) and Jim Stephenson’s Three Bones Concerto (2013), commissioned for the University of Alabama Wind Ensemble along with Joseph Alessi and Peter Ellefson. He also performed the work at the 2013 Eastern Trombone Workshop with the United States Army Band “Pershing’s Own.” He is also responsible for the commissioning of Eric Ewazen’s Visions of Light, as well as several other compositions including music for trombone and piano, unaccompanied trombone and trombone choir. Dr. Whitaker also is the author of the trombone version of the popular method, The Brass Gym, and has several published arrangements with Alessi Publications.

In 2012, Dr. Whitaker made his Carnegie Hall debut as a soloist at the New York Wind Band Festival. He has appeared as a soloist with all the wind groups at Indiana University, the Augustana College Symphonic Band, the Purdue University Symphony Orchestra, the Henderson State University Wind Ensemble and performed a premier performance of John Mackey’s Harvest: Concerto for Trombone with the University of Alabama Wind Ensemble in the fall of 2010. He also performed the American premier of Johan de Meij’s T-Bone Concerto with the Murray State University Symphonic Wind Ensemble.

Dr. Whitaker has performed with the New York Philharmonic on three separate occasions including the orchestra’s 2012 Opening Gala that was broadcast on Live from Lincoln Center on PBS with music director Alan Gilbert. He is currently Principal Trombone of the Tuscaloosa Symphony Orchestra. Dr. Whitaker performs regularly with the Alabama Symphony and has also held positions with the Harrisburg Symphony (PA), Mobile Symphony (AL), Arkansas Symphony, Pine Bluff Symphony (AR), Shreveport Symphony (LA), South Arkansas Symphony, Duluth-Superior Symphony (MN), Owensboro Symphony (KY), Evansville Philharmonic (IN), Richmond Symphony (IN), Jackson Symphony (TN), and the Paducah Symphony (KY).

Dr. Whitaker holds degrees in trombone performance from Murray State University (BMUS) and the University of Minnesota (MMUS), and the Doctor of Music in Brass Pedagogy from Indiana University. Dr. Whitaker’s primary teachers include Ray Conklin, Tom Ashworth, M. Dee Stewart, Peter Ellefson, and Joseph Alessi with additional studies with Arnold Jacobs, Edward Kleinhammer, Michael Mulcahy, Charlie Vernon, and Douglas Wright.

Jonathan Whitaker is a Getzen Artist and performs on Griego Mouthpieces.

We look forward to welcoming Dr. Whitaker to campus this summer. After UIUC’s School of Music Convocation on May 12, I will clean out my office and head home. While one never knows what may happen in the future, I will be closing the door on over 40 years of teaching on the college level. I have greatly enjoyed this teaching work over the years, and I’ve been blessed to work with many talented students who have gone on to do great things to impact our world, in musical and other ways. But at this season of life, I look forward to having more time to devote to activities with my family, and to spend more time researching and writing. That said, I will always be grateful for these two years at University of Illinois. Readers of The Last Trombone know how I have enjoyed that tremendous campus community. I look forward to continuing to celebrate the activities and accomplishments of the students at the University of Illinois trombone studio and I’m absolutely delighted to be handing the keys to the office off to Dr. Jonathan Whitaker. If you are a trombonist looking for a college education at a place where you can be part of a vibrant community with a superb trombone teacher, I urge you to consider applying to the University of Illinois School of Music. With Dr. Whitaker at the helm of the UIUC trombone studio, his big plans will be announced soon and exciting days are ahead for trombone students at Illinois.

And speaking of trombone students at University of Illinois, we have recently announced that the recipient of the 2023–2024 Robert E. Gray Trombone Award is junior tenor trombone music education major Ethan Groharing.

Ethan Groharing, recipient of the University of Illinois 2023–2024 Robert E. Gray Award

Dr. Robert E. Gray was professor of trombone at University of Illinois Urbana-Champaign from 1955–1991 and upon his retirement, the Robert E. Gray Trombone Award was established thanks to the generosity of the Gray family, many of Dr. Gray’s former students, and friends of the Illinois trombone studio. The award has been given each year since 1993 to a trombone student at Illinois who embodies the ideals of Dr. Gray—who was a transformative educator, a fine trombonist, founder of the University of Illinois Wind Ensemble, and President of the International Trombone Association— as exemplified in his words:

Take your time in your work. Don’t always push and do what is expedient. Develop an understanding of life and humanity in your degree work. It will make you a better person.

Last year, the award was given to Poorna Kumar, a sophomore (now a junior) tenor trombone performance/community health double major who has served as a drum major for the Marching Illini (University of Illinois’ marching band) for the last two years. I wrote about Poorna, her accomplishments, and her receiving the 2022–2023 Robert E. Gray Trombone Award HERE.

Ethan Groharing, recipient of the University of Illinois 2023–2024 Robert E. Gray Trombone Award

This year’s recipient, Ethan Groharing, has distinguished himself in a number of ways. For 2023–2024, he served as trombone section leader for the Marching Illini. In addition to continued improvement as a trombonist (this semester he is playing both in the UIUC Symphony Orchestra and Wind Symphony), he has served in leadership roles in the band fraternity, Kappa Kappa Psi. Of particular note is Ethan’s recent involvement to raise money for the American Foundation for Suicide Prevention. Good mental health is important for everyone, and last year, Ethan worked to raise $500 for the Foundation, which he did. This year, he set the goal higher and he exceeded it, raising $2,000 for this important cause through Phi Mu Alpha Sinfonia. As part of his fundraising effort, Ethan said he would dye his hair green if he made his goal, since green is the color of the mental health awareness ribbon. Ethan powered past his goal and he made good on his promise to dye his hair, something made us on campus smile and also raised even more awareness for this cause that is so important to him. In addition to a cash award, the Robert E. Gray Award now includes the Robert E. Gray Trombone Award medal that Ethan and other recipients can wear at graduation, and his name is now inscribed on a plaque in the University of Illinois trombone studio along with the names of previous recipients of the award.

Here we have two new things to celebrate at University of Illinois: the appointment of our new trombone professor, Dr. Jonathan Whitaker, and the awarding of the 2023–2024 Robert E. Gray Trombone Award to Ethan Groharing. I’m happy to share this news with readers of The Last Trombone as we look forward to finishing out the current school year in a few weeks and turning the page to an exciting new future for trombones at University of Illinois.