by Douglas Yeo
Readers of The Last Trombone know that last year, University of Illinois Press published a book co-authored by my friend, Kevin Mungons, and me. The subject of the book is Homer Rodeheaver, the trombone-playing song leader for the evangelist William “Billy” Sunday for twenty years during the first third of the twentieth century. Rodeheaver played the trombone for over 100 million—yes, million—people during his lifetime (1880-1955) and he profoundly shaped the course of gospel music. Rodeheaver created the first gospel music record company (Rainbow Records), and he founded what was, at the time, the largest and most successful Christian music publishing company. His influence, nearly 70 years after his death, is still felt today.
Above: Billy Sunday and Homer Rodeheaver, 1917. Courtesy of Morgan Library, Grace College, Winona Lake, Indiana.
Our book has received many enthusiastic reviews , including one in the October 2022 issue of the International Trombone Association Journal:
Kevin Mungons and Douglas Yeo have collaborated on a scholarly, nuanced biography of Homer Rodeheaver. Mungons and Yeo’s book, Homer Rodeheaver and the Rise of the Gospel Music Industry, combines painstaking research with insightful sociological and musicological analysis. Although the book is co-authored, it has a unified narrative. The extensive citations, alone, are worth the price of purchase. Even if one has only marginal interest in Homer Rodeheaver as a person, this scholarly description of American society at the turn of the 20th century proves fascinating and illuminating.
And this one from Christianity Today in March 2022:
Like virtually all books in the University of Illinois’s much-honored Music in American Life series, Homer Rodeheaver and the Rise of the Gospel Music Industry fills in significant blanks in our understanding of different aspects of music history. Mungons and Yeo elevate their contribution with meticulous detail and research; a penchant for finding fascinating, revealing stories and anecdotes; and a sparkling, highly readable prose style that’s all too rare in most academic books.
Last week (October 12), we learned that our book has just received a major award. The Association for Recorded Sound Collections (ARSC) gives annual awards “to authors of books, articles, or recording liner notes to recognize those publishing the very best work today in recorded sound research.” This is a highly coveted award, one with major significance to the large community of individuals who are heavily invested in understanding and promoting the history and preservation of recorded sound. ARSC publishes a peer-reviewed journal and its 2022 Awards for Excellence in Historical Recorded Sound Research include books on a wide variety of musical styles and genres written by highly respected authors.
Our book received the “Best History” award in the category for Best Historical Research in Recorded Blues, Gospel, Hip Hop, Soul, or R&B. The award will be presented to Kevin and me at the ARSC Conference that will be held in Pittsburgh in May 2023. We are very grateful for this recognition.
Between now and October 31, our publisher, University of Illinois Press, is offering a 50% discount off the cover price of the book. Click on this link to the UofI Press website’s page on books that have won awards in 2022. You’ll find our book there. Click on the image of the cover and you’ll be directed to UofI Press’s page about our book. You can order the book there. Put in the Promo Code MAL50 and the cost of the book will go from $31 to $15.50. That’s a real money savings. But this offer expires on October 31; now is your chance!